LAS MARCAS DE LAS MUÑECAS SHIRLEY TEMPLE

Una de las cosas más complicadas para los coleccionistas de Shirley Temple son sus marcaciones y a que muchas no están marcadas y son inconfundiblemente Shirley Temple.

HISTORIA DE LAS MARCACIONES DE LAS MUÑECAS SHIRLEY TEMPLE.

Las primeras Shirley Temple que fueron marcadas son las que se hicieron en otoño de 1934, en esa época se había estrenado la película “Levántate y saluda” y Shirley Temple había empezado a ganar gran popularidad porque la firma Ideal (la única que tenia licencia para vender las muñecas Shirley Temple) no imaginaba el gran éxito que tendrían las muñecas, las primeras muñecas no estaban marcadas Shirley Temple, solamente estaban marcadas en el interior de la cabeza c.1934 (circa 1934) Ideal Novelties and Toy Co. (quizás también estaban marcadas Ideal fuera de la cabeza).

Estas muñecas tenían las mejillas mas gorditas a las que después se hicieron en producción masiva., probablemente porque en esa época Shirley Temple era muy pequeña y mas rellenita. Estas muñecas son un poco más valiosas que las posteriores de producción masiva.

En la Navidad de 1934, la firma Ideal, vio la magnitud del éxito, entonces patento el modelo de muñeca Shirley Temple. En los primeros años de producción, el nombre Shirley Temple estaba estampado en la muñeca con las letras “COP” lo que indicaba que la patente estaba pendiente (Copyright pending), cuando la patente fue consolidada, las muñecas se marcaron “Shirley Temple” en cabeza y espalda, las marcaciones eran así:

1) SHIRLEY TEMPLE, en forma de semicírculo.

2) SHIRLEY TEMPLE, en forma de semicírculo con Ideal N & T (dentro del semicírculo, escrito en línea recta) esta marca viene también con las letras COP determinando que la patente todavía estaba pendiente.

3) SHIRLEY TEMPLE (Solo Shirley Temple).

4) SHIRLEY TEMPLE con Ideal en un diamante bajo el nombre en la espalda de las muñecas.

Tenga en cuenta que algunas muñecas de la firma Ideal usan el cuerpo de Shirley Temple, y este cuerpo esta marcado Shirley Temple en la espalda, esto no significa que estas muñecas sean Shirley Temple.

Las muñecas que usan el cuerpo de Shirley Temple son (Blanca Nieves) y la muñeca “Marama” (esta muñeca se hizo en conmemoración del estreno de la película Huracán con Dorothy Lamour y representaba el personaje que esta hacia en la película) es una muñeca encantadora con piel marrón, cabello de lana negro y ojos pintados, vestida con una falda “Hulla” (baile típico de la isla de Hawai). Estas dos muñecas son también coleccionadas por los coleccionistas de Shirley Temple, porque fueron hechas con los mismos moldes de Shirley Temple y son un poco más valiosas que aquellas que no fueron hechas con estos moldes.

Best Doll Quality for Generations

To understand how Madame Alexander came to hold first place in the hearts of generations
of doll collectors, one has to travel back to the world of dolls in which a little girl named
Beatrice Alexander grew up. Living in a small Brooklyn apartment above the doll shop and
doll hospital of her first-generation-American father, Beatrice's daily life was amongst
the lovely dolls of the Edwardian age. It is entertaining to reflect on the fabulous makes
of old-world dolls that might have come into Mr. Alexander's hospital for repairs.

Lavishly dressed dolls by Bru, Jumeau, Simon & Halbig, and Armand Marseille
could easily have been the little patients that Beatrice studied in their silks and plumes, satins,
laces and velvets.

The years were to prove what an observant child she must have been - her eye for the minute
details that give dolls and doll fashions superior appeal stands second to none, down through the ages.

The story of Beatrice Alexander - the woman who would become one of the most successful
American business women of her generation - is not unlike that of some of our other
national heros in the Arts. Born in a crowded NY ghetto, she looked beyond her surroundings
and envisioned a world of beautiful things. She had the intelligence, the resourcefulness
and the bravery to pursue her goals, no matter what the odds might be.

Beatrice was a young wife and mother in her early 20's when WWI broke out, throwing Europe
into chaos and playing havoc with the U.S. economy. For Mr. Alexander, who depended
on a large portion of his dolls coming from Germany, trade embargos threatened to close
the doors of his doll shop. Beatrice and her siblings refused to let this be the outcome,
and using what materials they could get with relative ease, they created a little cloth doll
in the costume of a Red Cross Worker. This timely invention was a sensation, and the doll shop
was saved. Beatrice's career had begun.

Early Cloth Dolls by Madame Alexander - rare and wonderful!

The cloth dolls that Beatrice went on to create to stock her father's shop are extremely rare collectors
items. To the right, you will see an all cloth Alice in Wonderland. These dolls originally sold
for $13.50 a dozen wholesale - turning little profit for Beatrice and her sisters. So many years later,
we can appreciate the value of this primitive cloth doll, but, Beatrice needed to make a real go of
her business, and in 1923, she borrowed $1600 and created the Alexander Doll Company. FAO
Schwarz, one of the world's greatest toy stores, was among Beatrice's first customers for cloth dolls.

Over the next decade, the company faced ups-and-downs, including the bursting of a water tower
that damaged all of the stock. They held a sale on the damaged goods to recoup some of their losses
and got right back to work. To understand how Beatrice felt about her work, consider the following
quote explaining her philosophy:

"Dolls should contribute to a child's understanding of people, other times and other places.
Dolls should develop an appreciation of art and literature in a child."

It is little wonder, then, that storybook characters, early motion picture stars and international characters
became some of Alexander's best first dolls, and were her recurring subjects for the rest of her career.
She wanted to share her beautiful vision with children, and her personal desire for presenting herself as
an elegant person of substance led to her adopting the title Madam Alexander, which first appeared in
an article in a 1928 edition of the magazine Playthings.

To the left, we have a wonderful example of a more advanced cloth doll from the early 1930's.
This is Oliver Twist. He stands at 16" and features an all muslin body, but the felt mask face is a
step toward greater realism, compared to the earlier Alice in Wonderland. Oliver wears a pale
green velveteen jacket and has a mohair wig. On the back of his jacket the label reads
"Oliver Twist, Madame Alexander, New York." Such dolls are rare and highly collectible now
in the 21st century.

1930's - A period of transition and invention for Madame Alexander Dolls

During the Great Depression, Madame Alexander first began producing dolls made of composition.
The company's first famous composition dolls were released in conjunction with Walt Disney's
The Three Little Pigs in 1933, and the two enterprises began a lasting partnership. Following
this success, Madame Alexander paid tribute to the headline-making birth of the Dionne Quintuplets.
The dolls created to represent the babies were one of the Madame Alexander Doll Company's greatest
successes of all time. Madame's next inspiration came from reading a new novel written in 1936
by a southern writer - Margaret Mitchell. Gone with the Wind so captured Beatrice Alexander's
imagination that she created a Scarlett O'Hara doll. This was, of course, before the book was made into
a film, and this original Scarlett doll was only to be the first of the many Gone with the Wind character
dolls the company would continue to produce for decades.

It was during the 1930's that Madame Alexander dolls began to take on an appearance that may begin
to seem more familiar to those new to doll collecting. To the right we see an amazingly mint condition
Madame Alexander doll from 1935. This character was called McGuffey Anna and she stands 9" high.
She is made entirely of composition and her face is painted. I was quite amazed to see the perfect
skin tone of this doll at auction. There is no evidence of crazing or discoloration.
She looks as if she was released yesterday! Madame Alexander fans will, I know, take tremendous
pleasure in looking at this doll's detailed costume, complete with black hat, sprigged green dress and
starched pinafore. Her mohair wig is in incredible condition and even her yellow hair ribbons look fresh.

Throughout the 1930's, Madame Alexander was continuously experimenting with different doll-making
materials and with different doll sizes. Unhappy with the flat look of her first cloth dolls, she invented
techniques of sculpting cloth. She then progressed to composition dolls with carefully painted faces.
The next move was to create dolls with sleepy, open-close eyes to bring greater expression and a new
life-like quality to the dolls' faces. And her flair with fabrics only grew the longer she worked at creating
dolls. Madame Alexander's ability to dream up costumes was seemingly endless!

Toward the end of the 1930's, Alexander found a new fascination - the British Royal Family.
She created a face mold based on eleven year old Princess Elizabeth, and this mold was used
for numerous dolls thereafter. The example shown here on the left is quite good of the face from
this molding, though the doll is somewhat worn. Note the rounded features and sleepy eyes of this
well-made doll. This image does a fine job of illustrating just how far the skill of the Madame Alexander
Doll Company had come by the end of the 1930's and it is little wonder that a Fortune magazine
article dubbed Beatrice Alexander The Queen of Dolls.

1940s - Patriotic Madame Alexander Dolls and a Whole New Doll Medium

The U.S. Government considered dolls to be morale-boosters for the American public and
Madame Alexander graciously did her duty by creating a series of war-time armed-forces-themed dolls.
The company kept its doors open throughout WWII, and continued their exploration of creating
dolls around motion pictures and motion picture stars. The most famous of these from the 1940's is the
Margaret O'Brien doll, shown to right. She was introduced in 1946 and was offered in a number of
sizes from 14" to 21". Margaret O'Brien was billed as everyone's ideal of a dear little girl, and likely
you will remember her as Tootie in Meet Me in St. Louis (the little girl who knocks down the snow
people, you remember!). Apart from this doll's significance as a memento of a bygone age, she also
bridges a major change in the history of dollmaking.

At the end of the war, in her quest to create an unbreakable doll, Madame Alexander partnered with the
Dupont Corporation to create the first plastic doll. Margaret O'Brien dolls appear first in composition,
but the later dolls are made of this miracle new substance - hard plastic! During this decade, Madame
Alexander pioneered the first ever walking doll - Jeannie Walker. Numerous new face sculpts were
created during the 1940's, including the doll created in honor of Olympic ice skater Sonja Henie.
The Portrait Series of sumptuously costumed dolls also dates to this period.

1950s - The Golden Age of Madame Alexander Dolls

During the decade of the 1950s, Madame Alexander received 4 awards from the New York Fashion
Academy for taste, style and unwavering quality of her dolls, and this is a period that is often referred
to by doll collectors as the Golden Age of Madame Alexander. I believe this feeling can be attributed
to the 1953 introduction of the Alexanderkins - the 8" dolls that were to become synonymous with the
name of Madame Alexander.

Alexanderkins were developed in many categories, but the two most celebrated of these were the
Storybook Dolls and the International Dolls. The Storybooks included such beloved figures as Little
Bo Peep, Little Red Riding Hood, and Mary, Mary Quite Contrary. To the left, I have an image of a
Little Red Riding Hood. She is a somewhat later model of this doll, but gives a pleasant impression
of the skill of the company. The International Dolls began to take us on a trip around the world to see
the folk costumes of far off lands. The ensembles created for the Alexanderkins are truly magnificent
in both their overall design and in their absolutely charming attention to detail. Beautiful trims, hats,
shawls, bonnets and little shoes delighted the hearts of children and ladies and the popularity of Madame
Alexander's creations skyrocketed.

The face most connected with this era of dolls is the Wendy face - that chubby-cheeked little girl whose
relative age seems to hover around 5-7 years old. These Wendy/Alexanderkins dolls' bodies progressed
in the following way:
1953 - Straight-leg non-walker dolls.
1954 - Both straight-leg non-walkers and some straight-leg walkers
1955 - Straight-leg walkers
1956 - Both bend-knee walkers and straight-leg walkers
1957 - Bend-knee walkers

In addition to that well-known Wendy face, Madame Alexander had created the Binnie Walker face,
but it wasn't terribly well-publicized until this face mold was used on the Cissie doll in 1955.
My example to the left shows this face mold, though the doll is in poor repair. Unlike the toddler-like
Wendy-faced dolls, Cissy was released as a grown-up doll with a enormous wardrobe of grown-up
costumes. Cissy dolls were 20"-21" inches in height, and their features reflect the cosmetics companies'
ads from the 1950s. In the years following the release of Cissie, the Madame Alexander Doll Company
released similar dolls of varying heights under the names of Cissette, Elise and Lissy.

Perhaps the most interesting anecdote relating the this period of doll history involves the 36 custom
made dolls that Madame Alexander created to represent the coronation of Queen Elizabeth II. The dolls
depicted the queen, her attendants, arch bishops, choir boys, guards and relations. The dolls and
costumes were so accurate, right down to the last detail, that CBS used them to re-enact the coronation
on television, and the set was then valued at $25,000.

Dolls of the 1960's - 1980's

Madame Alexander continued to produce several grown-up fashion dolls and introduced Jacqueline
and Caroline in the early 1960's, based on the Kennedy women. The company's fascination with
important figures in history was further accented by the release of a line of First Lady dolls in the 1970's.
Madame Alexander, herself, had become a famous figure and her public appearences were always
sold-out affairs.

My own feelings about this era are especially poignant as this is when I was a little girl and received my
very first Madame Alexander doll. The toy stores then were like magic shops with their gleaming cases
of dolls of every possible description. There were the elegant, Victorian-style Lucinda dolls with their
silken gowns and parasols, there were the pudgy baby dolls and then there were all of the wonderful 8"
Alexanderkins dolls in their fabulous costumes. The International Dolls collection and Storybook Dolls
collection both increased at the beginning of the 1980s and the dolls simply made a little girl's heart
yearn to own every single one.

I remember Spain, in her red tiered dress and lace mantilla. Brazil with that delicious-looking fruit on
her hat. Mexico with her bright glass beads. Betsy Ross with stars on her dress. The Little Red Boy
in his velvet suit. Scarlett O'Hara with her green, bejeweled sash! The variety, the opulance, and the
tiny detailing of these dolls will remain a source of joy to me forever.

But, perhaps best of all were the Little Women dolls. Madame Alexander made her first set of cloth Little
Women dolls in 1933 after the release of the popular motion picture. The Madame Alexander Doll
company has never stopped producing new versions of these dolls since then. My family owned a
complete set of these dolls, purchased in the early 1970s and, to me, these dolls typified the quality and
style of Madame Alexander.

Madame Alexander retired in 1988 and sold her famous doll company to private investors. She retired to
Florida, and under new ownership, the Madame Alexander Doll Company continued to produce her dolls,
and also added some porcelain lines. In 1990, at the age of 95, Beatrice Alexander passed away.
Her glorious legacy remains with us.

Madame Alexander Baby Dolls

In addition to all of the wonderful little girl dolls and grown up dolls this company has given us,
the Madame Alexander Doll Company made a tremendous number of beautiful baby dolls.
The best-known lines of these are the Huggums dolls with their soft hands and feet and the large
Pussycat Dolls. Madame Alexander did much to set the standard of wonderful baby dolls between
the 1950's - 1980's and many companies created imitations of her dolls. The image below depicts three
Huggums dolls from the late 1960's - early 1970's:

Collectors Value of Madame Alexander Dolls

Rarity, condition and desirability are the three factors that determine the value of this dollmaker's dolls.
Early cloth dolls have become quite rare and can earn many thousands of dollars at auction. Also, dolls
which had a limited release bring in top dollar. Mint condition dolls are more valuable than ones with
crazing, discoloration, mussed hair or missing articles of clothing, but in the older dolls, these flaws are
often overlooked. Desirability is less hard to predict. The faces and costumes of certain dolls simply
have a tremendous appeal to buyers and bidding can go quite high when this is the case.

Extensive documentation has been done in book format on the many styles of this company's dolls,
making identification of dolls fairly simple in most cases. However, dollmakers marks and boxes do
play an important role in both their identification and in their value. One of the most common flaws
in Madame Alexander dolls at auction is that they have lost their shoes and socks. Unfortunately, most
played-with dolls, especially of the 8" kind, lost these accessories along the way, but replacements
can be found.
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Edad de las muñecas de Madame Alexander

Antes de comprar las muñecas de Madame Alexander, es importante entender cómo están clasificadas por edades y qué significa cada término.

Muñecas Madame Alexander Antiguas: Generalmente las muñecas Madame Alexander hechas antes de 1930 son consideradas Muñecas Madame Alexander Antiguas
Muñecas Madame Alexander de Colección: La palabra de "colección" puede referirse a diferentes cosas, pero muñecas Madame Alexander de colección son aquellas que fueron hechas hace 25 a 75 años atrás.
Muñecas Madame Alexander Modernas: Muñecas hechas en los últimos 25 años son consideradas muñecas Madame Alexander modernas.
Muñecas Madame Alexander contemporáneas: Cualquier muñeca de producción continua es considerada muñecas contemporáneas.